100 European Drawings in The Metropolitan Museum of Art - download pdf or read online

By Jacob Bean

The accumulating of drawings used to be lengthy the province of artists themselves. The Florentine Vasari shaped one of many first large and systematic collections of drawings, and his instance used to be via Rembrandt, Rubens, Lely, Reynolds, and Lawrence. nice ecu museums—the Uffizi, the Louvre, the Berlin Museum, and the British Museum—have previous and significant collections of drawings. In the US public curiosity in drawings is a reasonably contemporary improvement our public collections have brief histories. That of the Metropolitan Museum is likely one of the oldest within the kingdom, and this is often as a result of the foresight of Cornelius Vanderbilt.

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Je mentiolli1erai seulel11ent le poèl11e « Spat und lief» du premier recueil, Pavot et mémoire 18 , en soulignant que ces deux signifiants, l11aj eurs chez Celan, tardif et profond, Grille de parole (tr. M. Broda), Bourgois, 1993, pp. 8-9 Ibid, pp. 12-13. 17 Thème crucial pour la pensée contemporaine dont une formulation emblématique, «The lime is out of joint» (Ham/et, 1, 5), a été choisie pour commentaire par H. Arendt, 1. Derrida, G. Deleuze. 18 Pavot et mémoire (tr. V. Briet), Bourgois, 1987, p.

Si, connne le dit Jacques Derrida, l'héritier est sournis à l'irréductible antériorité du légataire, s'il est vu par lui sans pouvoir le regarder40 , lorsque nle parvient le don posthume (exelnple même du don, don parfait puisque le donateur ne peut recevoir rnon renlerciement 41 ), je suis d'une certaine rnanière avant cette donation. Je dois l'être, sinon il ne lne parvient pas, il ne m'arrive pas et il n'arrive pas, sinon il ne sera pas reçu et perdra sa nature de don. Cette postériorité du posthunle qui neutralise l'antériorité suppose une circularité entre l'avant et l'après 1.

Or, depuis le telnps de Inon dire Ïlnpossible, ce n'est pas ta question que j'ai voulu véritablelnent conjurer. C'est son rytlmle naïf, aveugle devant le puissance de ce qui la travaille: un point d'énlission, la voix de sa provenance. Ma conjuration a donc voulu porter sur nos instants de latence, de recouvrelnent trop souvent nOlnbreux. Certes, ils portent en eux la clarté du dire, la grmnnlaire de sa définition, lnais ils ruinent ainsi l'oligine de la parole et de son histoire. C'est ce mot que tu attendais peut-être.

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100 European Drawings in The Metropolitan Museum of Art by Jacob Bean


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